Library Technology Reports (vol. 56, no. 1), “Digital Rights Management and Books,” by Mirela Roncevic

Digital rights management. Anyone who has in any way dealt with digital content in the past two decades has come across this term. It is talked about and written about in the context of all content disseminated digitally—books, films, music, and video games. It is the topic at every library and digital publishing conference and the subject of countless scholarly articles dedicated to trying to understand its impact. This issue of Library Technology Reports (vol. 56, no. 1), “Digital Rights Management and Books,” discusses digital rights management (DRM) in the context of books—popular and academic—and all who are part of the publishing ecosystem, including authors, readers, publishers, educators, researchers, librarians, and information scientists. Its aim is to provide a thorough analysis of what DRM is, what its main purpose is, what its legal implications are, who it affects, how it works, why it matters, why some believe it has done more harm than good for books and authors as well as libraries, what its challenges remain to this day, what may be possible solutions to those challenges, and what the future holds for DRM, including both those who support it (usually publishers) and those who vehemently oppose it (usually readers and librarians). Lastly, this report points to new ways in which DRM can be approached in the future and ways in which piracy and illegal online activities can be overcome more successfully.